It is, perhaps, not so very surprising that I have a strange relationship with death. I have not died, nor have I any especially strong emotions surrounding it (well, no more than any other person, I suppose). And yet death is a fairly constant presence in my life, and as a result, is genuinely something I spend a lot of time with and in contemplation of. For, apart from anything else, I have been to many many more funerals than you have. In my side hustle job that I do in those few spare hours when I’m not writing blog…
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It is, I think, sometimes overstated by Tolkien readers just how important the death of Boromir actually is. I do not wish to be misunderstood! Boromir is an important character in his own right, for what he reveals about Gondor as our first representative of that land, and for what he illustrates as regards the insidious dangers of the One Ring. And his death is important, too, for what it sets in motion on a narrative level, and for its serving as proof of his own rejection of temptation and the regaining of his moral fortitude following his weakness. But…
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To attempt by device or ‘magic’ to recover longevity is thus a supreme folly and wickedness of ‘mortals’. Longevity or counterfeit ‘immortality’ (true immortality is beyond Ea) is the chief bait of Sauron – it leads the small to a Gollum, and the great to a Ringwraith. JRR Tolkien, Letter 212 In my previous essay on Death and the Half-Elven, I quoted from this letter in order to illustrate Tolkien’s shifting view on mortality and its root in his own fictional world. In this context, the final sentences merely illustrate that this counterfeit immortality was, to Tolkien, a great evil…
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It is told among the Elves that after Eärendil had departed, seeking Elwing his wife, Mandos spoke concerning his fate; and he said: ‘Shall mortal Man step living upon the undying lands, and yet live?’ But Ulmo said: ‘For this he was born into the world. And say unto me: whether is he Eärendil Tuor’s son of the line of Hador, or the son of Idril, Turgon’s daughter, of the Elven-house of Finwë?’ And Mandos answered: ‘Equally the Noldor, who went wilfully into exile, may not return hither.’ But when all was spoken, Manwë gave judgement, and he said: ‘In…
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I do not think that even Power or Domination is the real centre of my story. It provides the theme of a War, about something dark and threatening enough to seem at that time of supreme importance, but that is mainly ‘a setting’ for characters to show themselves. The real theme for me is about something much more permanent and difficult: Death and Immortality: the mystery of the love of the world in the hearts of a race ‘doomed’ to leave and seemingly lose it; the anguish in the hearts of a race ‘doomed’ not to leave it, until its…
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