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Tag: analysis

Death & the Half-Elven: On the inheritance of mortality in Middle-earth

It is told among the Elves that after Eärendil had departed, seeking Elwing his wife, Mandos spoke concerning his fate; and he said: ‘Shall mortal Man step living upon the undying lands, and yet live?’ But Ulmo said: ‘For this he was born into the world. And say unto me: whether is he Eärendil Tuor’s son of the line of Hador, or the son of Idril, Turgon’s daughter, of the Elven-house of Finwë?’ And Mandos answered: ‘Equally the Noldor, who went wilfully into exile, may not return hither.’ But when all was spoken, Manwë gave judgement, and he said: ‘In…

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“…in lotus-isles of economic bliss” — on AI, art, & the proliferation of mediocrity

Sadness is, perhaps, not an emotion that is often associated with the myriad feelings surrounding generative AI. Anger, despair, fear, suspicion — these will likely be familiar to some. I must confess, I do not as of yet truly understand the more positive emotions some seem to have toward AI LLMs, and so I will not speak to them. Sadness, though, is perhaps not the most obvious emotion — and yet I think it is the one that best describes how I feel about generative AI, and how I have felt for some time. Or, rather better, how I feel…

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Notes on “Tales Told of Faerie” — The September Series Postscript

Every year, I like to write a little postscript to my September Series posts — something that, while it might be congruent with them in some way, is nonetheless a digression. This year, given that the Series has been comprised entirely of creative works by me, I wanted to do something a little different, and something a little self-indulgent — I wanted to write up a few comments on each piece, to explain something of their origins and what I was interested in working with. This is, of course, a wholly unnecessary exercise in many ways.  Ideally, each piece should…

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Eucatastrophe or acatastrophe? Considering the Faerie in ‘Smith of Wootton Major’

But the “consolation” of fairy-tales has another aspect than the imaginative satisfaction of ancient desires. Far more important is the Consolation of the Happy Ending. Almost I would venture to assert that all complete fairy-stories must have it. At least I would say that Tragedy is the true form of Drama, its highest function; but the opposite is true of Fairy-story. Since we do not appear to possess a word that expresses this opposite—I will call it Eucatastrophe. The eucatastrophic tale is the true form of fairy-tale, and its highest function. The consolation of fairy-stories, the joy of the happy…

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“…World-dominion by creative act” – On ‘On Fairy Stories’ and role-playing games

To the elvish craft, Enchantment, Fantasy aspires…Uncorrupted, it does not seek delusion nor bewitchment and domination; it seeks shared enrichment, partners in making and delight, not slaves. On Fairy Stories, by J.R.R. Tolkien I’m really stuck on On Fairy Stories at the moment.  I mean, if I’m honest, I’ve been thinking about OFS on some level ever since the very first time it truly made an impact on me some years back.  But at the moment, it’s obviously really playing on my mind, because wherever I look, I see some fresh relevance to it in my day to day life…

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