It is, I think, sometimes overstated by Tolkien readers just how important the death of Boromir actually is. I do not wish to be misunderstood! Boromir is an important character in his own right, for what he reveals about Gondor as our first representative of that land, and for what he illustrates as regards the insidious dangers of the One Ring. And his death is important, too, for what it sets in motion on a narrative level, and for its serving as proof of his own rejection of temptation and the regaining of his moral fortitude following his weakness. But…
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The Tale of the Children of Húrin has, rather fairly, earned a reputation as being the grimmest and saddest of all Tolkien’s stories. Indeed, its presence in a mythological world permeated by the eucatastrophe may seem incongruous to first-time readers, used to the inherent hope and joy of Arda (and perhaps not yet cognizant of just how deeply tragic and bittersweet it often proves). The implications of its unyielding tragedy, of Túrin and the potentiality of his free will, and the justifiability of the various choices he makes along his long and destructive road are all themes that have been…
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Of Aulë and Yavanna: Tolkien’s Odd Couple ‘Nonetheless they will have need of wood.’ With that brilliantly offhand one-liner, Aulë and Yavanna cemented their status in the minds of many Tolkien lovers as being Eä’s first and best odd couple. He, a rash craftsman, master of forge and hammer, lover of stone and gem and that which is imperishable and unchanging. She, a lover of beasts and plants, the bringer of growth and giver of sustenance, who cherishes all that sprouts and blooms and flowers, all that lives. Given Tolkien’s interest in the themes of nature and industry, it might…
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Once, there was a terrible and wicked monster, who destroyed a great and peaceful kingdom, killing many and driving the survivors into a long and bitter exile…
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